The following story is from my book, True and Imagined Stories of the Paranormal: Can You Tell the Difference? Every now and then, I plan to upload to this site a selection of true and imagined stories of the paranormal, and the readers will decide whether or not the events described happened in reality or only in my creative imagination. By “true,” I mean that I have as faithfully as possible recreated events that actually happened to me or come from a reliable and vetted source. Stories that I created may have true elements or make reference to some true events, but are mostly fictional in nature. The purpose of the book is to show the reader what characterizes real experiences, versus the stereotypes and assumptions about what the paranormal is: false stories will be entertaining, yet misleading.
Here is the first story. Did this really happen? You tell me!
“We had entered the old State Hospital countless times before; sometimes, we trespassed. Other times, as my lawyer husband admonished me, it was blatant breaking and entering, a far more serious infraction. On this particular evening, a side door to one of the enormous wings was open. There was no sign telling us not to enter; there was no picking of locks; there was nothing to do but push the door open and feel that cool air envelop us with the peculiar odor of the old hospital: slightly antiseptic with undertones of dust, mold and animal feces. It was the smell that defined the place; should I live a 150 years, I would never forget that odd combination of old hospital and decay.
Marcy, Kathy and I were seasoned investigators at this point in our lives. We had dedicated the last 12 years to the dogged pursuit of ghosts, demons, shadow people, spirits of unknown provenance, and anything else that tapped on walls, knocked things over, or whispered strange words into our recorders. These hallways, nurses stations, common areas, patient rooms and storage areas were so familiar as to be like a second home of sorts, and yet, there was never a moment where I wasn’t aware of the presence of something, watching us, following our movements, aware of our wanderings and whispered conversations.
We ended up in a very dark hallway in the middle of a large unit. I was never sure which unit served what purpose. Some of them had multiple uses over the decades, and others had never strayed from their original function as giant warehouses for the insane, the disabled, the outcasts, the drug addicts, or even the unfortunate immigrant or divorcee whose husband had declared her neurotic. The units that had been abandoned when the hospital closed in 1997 were the most ‘atmospheric’, retaining a heaviness and despair from hundreds, if not thousands, of confused, unhappy, frightened patients, many of whom are still wandering the streets of the local communities. There were many deaths in those buildings. There was state sanctioned torture in the name of psychiatry. And yes, there were people happy to be there that were protected and well treated. It was a complex mixture of emotions that left its mark in the very walls of the units, a permanent recording of human trauma and fear that replays itself endlessly. I don’t think peace or happiness are trapped in homes or buildings; those emotions go with you to the next life.
In the middle of this dismally dark hallway, Marcy stops and sets up various devices. The devices record anomalies, strange words, and changes in EMF and temperature. This is to be expected, of course, in a place like this. As a group, however, we have grown weary of our typical questions (‘can you hear me?’ ‘What year is it’?) and requests (‘tap three times if you can see me’, ‘knock on the walls,’ ‘make a noise so that we know where you are’), so we decide that we are going to take a different approach. Marcy asks it the thing in the hallway would like to play a game. This always makes me nervous, because I rarely sense the presence of children, and she frequently does. Not only does this mean we are attuned to different energies, it implies for me that she is opening up her tender heart to a child spirit that, for me, is a dirty, crazy old man who feels an attraction to her that is not at all innocent. I am scared, and Marcy is excited. I ‘see’ this energy in the hallway as someone who is toying with us. Yes, he taps on the walls, and yes, he has made some indistinct noise that raises my blood pressure; but, I don’t think that this is cooperation or sincere interest. This is his opportunity to lure us into an unhealthy interaction that will make me sick later. “Let’s play hide and seek!” Marcy cries out into the black hallway; “I’m going to hide and you’re going to find me!” Or, “you’re going to hide, and I’m going to find you!” I wasn’t paying much attention to the specifics of the rules, because the game unnerved me.
So Marcy hides behind a wall near a nurses’ station. She counts to ten. All I am aware of is my nausea and my fear, because it feels more and more obvious to me that this entity, this energy, or whatever it is, will not play any game without exacting a price. Shortly after Marcy says “ten,” there is an astonishingly clear noise: it’s a shower curtain being pulled aside on a metal bar. I know that sound, because we had been in one of the old, turquoise bathrooms before we started to investigate. The bathtub–suspiciously clean after all these decades–had a metal bar around the top where the shower curtain hung from shower curtain roller rings. They looked like this:
The curtain itself was open when we first entered the bathroom. After we heard the distinctive noise of the shower curtain opening–which is the noise that the roller rings make when moving across a metal shower rod–we ran back to that bathroom in a state of total shock, only to notice that the shower curtain was now drawn around the bathtub. Someone had moved it. Someone was hiding from Marcy, just as she had requested.
After the initial excitement wore off, we of course wanted to replay the recording of the voice. We heard it, clear as day. And then, something happened that I find mysterious, a quite frequent phenomenon: when we attempted to clip and send the file with the sound, we could no longer clearly hear it. We assume that it’s about compressing the file and sending it to an email address that degrades the quality of the audio. However, there is something more at work here. Countless EVP (electronic voice phenomena) degrades over time even when you listen to the same clip on the same computer using the same software. A voice that the entire team heard clearly the first few times it is played begins a slow and inexorable transformation over time until doubt creeps in about its veracity or intelligibility, and even the best EVP can end up as mere question marks.
We exited the building and wandered around the overgrown courtyards, following the trails of decay and entropy. I had that feeling again that we had been manipulated or simply drained by something that was intelligent enough to play a game. I felt that he was an older man who was stuck in Camarillo for crimes of a sexual, deviant nature. He was not someone who could be rehabilitated or released. He was thrilled that three women were paying attention to him and affording him the opportunity to interact with us, and yet his intention was dark. What would he have done in this afterlife state, this life of a fragmented consciousness, this self expression as instinct and pure id? All he could do, I think, was to trick us and invade our awareness, knowing as he did that we wanted contact, any contact. Once he was in our minds, in our consciousness, he could play there.
Ghosts require energy and an audience that is eager to connect. No matter who they are, they can suck the life force right out of you, as if you were a living battery. I’m not sure that Marcy agreed with me regarding the identity of this entity, and Kathy liked to keep a critical distance from such inquiries and identifications, because once you formulate an image of who is responsible for noises and feelings, you have strayed into the territory of mediums and channelers, and Kathy is comfortable with neither. It is probably folly to attempt to identify the spirit that has entered your space, unless you have a strong, instinctual response to their energy. I have certain physical responses to children, to teenagers, to men and women, and especially to creepy sociopaths. I can sense that presence from a mile away in either the living or the dead.
The next day, I had a headache, extreme fatigue, and slight vertigo. I was just sick enough to know that I had run into someone from whom I would have run like mad, had I met him in the flesh. This observation always begs the question: why do we want contact with someone in spirit who we would avoid at all costs in the flesh? Of course, one often doesn’t know who you have come into contact with until it’s too late, after you’ve engaged him. It’s a little like carrying on an intimate conversation with someone in a dark room who can disguise their voice and speaks in riddles. It’s a dangerous practice, one fueled by endless curiosity and the thrill of the hunt.
The problem with that is that we–the ones who seek out such contact–are the ones who are captured in the end. We end up in cages of confusion and partial answers, speculations and strange emotions, wondering if someone we couldn’t see might have taken up residence in an abandoned and dark corner of our souls.”
Was this a story based on true events? Or is this a cleverly crafted ghost story designed to sound true? You be the judge.
–Kirsten A. Thorne, PhD